Silko is mixed-race Laguna Pueblo Indian a Keres speaking tribe , Anglo American , and Mexican American , and emphasizes her Laguna heritage in her writing citation needed. While her parents worked, Silko and her two sisters were cared for by their grandmother, Lillie Stagner, and great-grandmother, Helen Romero, both story-tellers. As a result, Silko has always identified most strongly with her Laguna ancestry , stating in an interview with Alan Velie, "I am of mixed-breed ancestry, but what I know is Laguna". Silko went on to receive a BA from the University of New Mexico in ; she briefly attended the University of New Mexico law school before pursuing her literary career full-time.
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Learn More Introduction The central conflict in a story is normally the fight between the main character and other things that hinder him or her from achieving or accomplishing something that he or she wants Garfinkel, If there is no central conflict then a story does not exist since other characters and themes revolve around the central conflict to make a story. The main character is an old man by the name Teofilo whose work is to look after the sheep and return them to the sheep camp where he looks after them over the night.
The concept of drought or lack of water is introduced in the very beginning of the story when Teofilo is found dead under a dry cottonwood tree Lesli1. This shows that the old man had taken rest under the cotton tree to protect his body from the scorching sun when he died. When Leon and his brother -in-law went looking for Teofilo, only to find him dead, Leon stood under a tree as he waited for Ken again giving more evidence that the sun was scorching Lesli1.
The presence of bare cottonwoods and wide sandy arroyo still tells that there was no rainfall for a long time. As the story continues, Leon looks at the sun and unzips his jacket a sign that it was hot. As the preparation of the burial is made, Ken points out that only the top layer of the soil was frozen and the gravediggers could complete digging the grave before dark. Again this tells how the weather is, with some parts covered by snow and no rain. When Louse tells Leon to look for a priest to sprinkle holy water for Grandpa, this is more of a religious activity but one can tell that Louse said this due to the dry spell experienced in the area.
As the evening approaches, the weather changes to a chilly one and the Pueblo road was full of dust Leslie 1. Here the author creates the central conflict of a drought because whenever there is drought it is very hot and windy during the day, cold and windy at night.
Louse stands shivering and then zips his jacket which is a sign of a cold weather. The idea of drought also rises during the dialogue between Leon and father Paul when Leon tells the father that they want the old man to have plenty of water.
Although this is more of a ritual, the author has used it to bring out the idea of drought.
Leslie Marmon Silko
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